Первая была

Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.

Monsieur Hulot's Holiday (1953) 7/10 TMDB

А потом посмотрела и сиквелы (не совсем сиквелы конечно, просто один персонаж).

Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.

Mon Oncle (1958) 7.389/10 TMDB

Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

PlayTime (1967) 7.748/10 TMDB

Во всех трех главным персонажем является Monsieur Hulot (вроде бы, прототип Мистера Бина, ну или вдохновитель) . Все три фильма очень смешные и милые, но по-французски изящные.
Последний понравился больше всего - сатира на мир модерна который набрал стремительной популярности в 60-х.

Не могу смотреть что-то ничего из современного, пересматриваю старые фильмы, начиная с 20-х годов прошлого столетия. Почти от всего что снято в 2000-х просто отворачивает.

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Я тоже посмотрела французские комедии недавно